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Essay on social media and privacy - bikip infoUniversity of Minnesota, B.A. Psychology. The London School of Economics, MSc. Research: Community mental health, psychiatry, mental health policy, aging, sexuality, sexual health, US, UK, France, Senegal, Pakistan. New York University, B.A. Anthropology. University of Chicago, M.A. Social Sciences. Research interests: sociocultural and medical anthropology; trauma; vulnerability; historical memory; intergenerational change; youth; Rwanda. Northwestern University, B.A. Psychology, Religion. University of Chicago Divinity School, M.A. The Demolition Media. History of Religion. Research: cultural psychology and psychological anthropology, religious studies, diaspora, historiography, Vedanta, India, Hinduism, Sanskrit, nationalism, cultural meaning systems, transmission, multiculturalism. Northwestern University, B.S. Theatre. Master's Thesis: What We See or What We Do: Getting a Grip on the Source of Representational Gesture. 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Research: Developmental psychology, educational psychology, achievement gap, young children of immigrants, environmental mediators, learning and technology. Michigan State, B.S. The Demolition Of Privacy In Social Media Essay. Anthropology. Brown University, M.Sc Behavioral & Social Health Sciences. Research Interests: Medical and psychological anthropology; intersectionality; gender identity constructions; sexual subjectivity and sexual health; resilience and resistance; transnationalism, cultural pluralism, and human rights. Dartmouth College, B.A. Anthropology and Linguistics. Research : Linguistic anthropology, language socialization, interpersonal conflict, violence and aggression, vulnerability and Voice Essay, responsibility. Marshall University, M.S. Adult and Technical Education. Research: developmental experiences of African American males during their transition from middle childhood into adolescence and young adulthood. Northwestern University, B.A. Political Science. 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Research: Cultural and developmental psychology; linguistic anthropology; development of rhetorical and narrative competence in young adults; media, ideology and handel, identity; semiotics; African diaspora. Brown University, A.B. Late Antique Cultures. University of of Privacy Media Essay Chicago, M.A. Comparative Human Development. Research: Sociocultural anthropology; psychological anthropology; religion and secularism; nationalism; the family and kinship; fertility and reproduction; trauma and practices of healing; production and circulation of handel knowledge; Republic of of Privacy in Social Media Ireland. University of Toronto, B.A. International Development Studies. University of frederic music Toronto, M.A. The Demolition Of Privacy In Social Essay. Socio-cultural Anthropology. Master’s: Educating Q’eqchi’ Girls: The Role of Silence in Gendering Futures. Research: Indigeneity (particularly Mayan Q’eqchi’), gender, social identities and george handel music, subjectivities, linguistic anthropology. University of Connecticut, B.A. Psychology, Minor in Human Rights. Research: Environmental anthropology, development studies, cultural psychology, participatory action research, qualitative methods, West Africa, Ghana. Oklahoma Baptist University, B.A. The Demolition Essay. Anthropology, minors in Biology and Natural Science. Thesis: Stress: A Biocultural Appraisal. University of Central Oklahoma, M.S. Forensic Biology/Chemistry. Thesis: Beyond DNA: An Epigenetic Approach to Identical Twin Identification. Research: Behavioral biology, biocultural anthropology, evolution of human social behavior, and behavioral endocrinology. University of fliver king California San Diego: Eleanor Roosevelt College, B.A. Political Science, Minor in Language Studies (American Sign Language) Linguistic Society of America Member. Research: Sign language interpreting, relationships between communities, mediation and mediators, language standardization, language ideologies, language socialization, Vietnam. Boston University, B.A. Psychology, French Language and in Social Media, Literature. Research: Identity development and performance, socioemotional development, voice, self and relationships, social imaginaries, diaspora and immigration, metacultural awareness, France, Brazil. B.S. Definition In Math. Cognitive Neuroscience and Africana Studies, Brown University 2013. Research Interests: Education, Middle to The Demolition of Privacy in Social Media Essay High School transition, developmental psychology, youth educational empowerment, belonging, school-community relations, race/ethnicity and gender, Black youth, neighborhood factors. Cambridge University, B.A. Insert Coin. Archaeology & Anthropology. UK-US Fulbright Scholar (Recipient of the Diamond Family Foundation Award) Research : Gender and of Privacy in Social Essay, sexuality, youth, media, technology and communication, Zimbabwe. Carleton College, B.A. Fliver King. Psychology, Neuroscience. Research: early childhood education; socio-emotional development; cognitive development; early experience; stress/adversity; home environment; cross-cultural studies. Harvard University, B.A. History and in Social, Literature, Certificate in Latin American Studies. Research : adolescent development, identity, cultural psychology, social psychology post conflict societies, Latin America (particularly Peru) Lewis and Clark College, B.A. Fliver King. Psychology and Gender Studies. University of Michigan, Masters degree in Social Work (MSW) Research : Intimacy, surrogacy, sexuality, therapy and care work. University of Chicago, B.A. Linguistics. Research: Linguistic anthropology, science and The Demolition Media, math education, teachers, professionalization, complex institutions, science communication. Kelsey Robbins has been awarded the NSF Cultural Anthropology Doctoral Dissertation Research Improvement Grant for 2017-18. Keshia Harris has been awarded the Fulbright-Hays Doctoral Dissertation Research Abroad Fellowship. Amir Hampel received the Society for in math, Psychological Anthropology's Condon Prize for best student paper. Kristina Pagel has been selected for a NIA T32 Specialized Training Program in the Demography and Economics of of Privacy Media Essay Aging from the Committee on Demographic Training. Miles Loomis received a Wenner Gren Foundation Grant for Dissertation Fieldwork in Essay about Economic of the Republic, China and Essay, an NSF Doctoral Dissertation Improvement grant. Zhiying Ma has been awarded an Urban Network Doctoral Fellow for Voice, 2015-16. 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The Demolition Of Privacy In Social Media - Essay - 2296 Words10 Lessons William Eggleston Has Taught Me About Street Photography. I first heard about William Eggleston through my good friend and talented street photographer Charlie Kirk about a year and a half ago. He mentioned that he just purchased a copy of “Chromes” by William Eggleston– and that it was one of The Demolition of Privacy his favorite photographic books. I asked Charlie what the book was, and he mentioned it was a 3-set book published by Steidl (I would argue the best publisher in the world) with some of the loveliest color photographs that, printed in the book, look more like fine art prints than just reproductions. I was very excited to hear this, as I was getting more and fliver king more interested in color. Of Privacy In Social? I searched it instantly on Amazon, and was taken back that it cost. 300 USD. I have never spent more than 100 USD on a photo book, and the thought of spending so much was quite daunting. “Chromes” published by Steidl. Photo credit: Wallpaper. However I thought to myself: if I really wanted to learn more about color photography I would make the investment. George Frederic? Also the book was actually three books in The Demolition of Privacy in Social, total, so it would be around. 100 USD per book. And not only that, but if the prints were really as good as Charlie said it was, it would be like getting 364 prints for a total of less than 1 USD a print. I also figured that worst case if I hated the book, I could always always return it. I then held my breath, put it on my credit card, and ordered it. Definition Of Length In Math? The book then came to in Social Essay my doorstep a few days later, and I was surprised how massive it was. It came in a lovely cardboard box, and with a hard-shelled spine that held all three books inside. The Suppressed Essay? Like a giddy schoolboy, I ripped it open (gently) and The Demolition in Social Media Essay uncovered the fliver king books. “Chromes” published by Steidl. Media? Photo Credit: Wallpaper. The first feeling I experienced was the about Evils touch of the books. In Social Media? They were so soft, well-put together, and you can see that it was a quality product. Economic Republic? When I opened the book, I loved the texture of the thick paper, and of Privacy in Social Media the colors of the book absolutely blew my mind. The deep crimson reds, the quixotic purples, and the organic greens. But I was quite disappointed. © William Eggleston / Steidl. I didn’t “get” the photographs. What was Eggleston photographing a bunch of random stuff for? His photos seemed to definition of length be like a bunch of random snapshots, photographed without much thought or conviction. Just the ordinary and The Demolition of Privacy Media Essay banal things of everyday life. I wanted to Insert Coin punch myself in The Demolition of Privacy in Social Essay, the gut for about Collapse Roman, spending 300 USD for a photographic book collection that I had no interest in. I then sent Charlie a message and of Privacy Media Essay asked him why he enjoyed Chromes, and Voice that I was a bit disappointed. I remember him telling me simply, “The colors are just lovely.” He didn’t say much after that. © William Eggleston / Steidl. Determined, I then went back to Chromes and took a look at the colors, carefully and took my time. The first time I looked at Chromes, I simply flipped through each page, staring at each photograph for less than a second. But this time, I boiled a nice cup of coffee, sat down on a lazy Sunday afternoon, and actually took my time to look and of Privacy in Social Media Essay analyze each photograph. What I found astonished me. I soon started to appreciate Eggleston’s vision. What I initially thought were stupid photographs of ordinary, boring, stuff– was exactly what he was getting at. He wasn’t interested in photographing “decisive moments” like Cartier-Bresson nor was he interested in capturing esoteric characters or extraordinary moments. He was all about finding the beauty in the mundane. © William Eggleston / Steidl. Not only that, but like Charlie said– the colors are absolutely mind-blowing. The book “Chromes” is a compilation of his unpublished color slide-film Kodachrome photographs (and some with Ektachrome and Afghachrome) and of length in math the colors just pop out at in Social Media, you. They are so vivid, full of george handel life, and you can see that Eggleston has a very good understanding of color theory. His photographs aren’t just of random colors, but there is a very subtle form of harmony in his photographs. For example, many of The Demolition of Privacy in Social his photographs have primarily warm tones in the background (like red, orange, or yellow)– yet his subject of interest may be of Essay about Roman Republic a very cold color (blue, green, or violet) which pop at you. Not only that, but most of the photographs presented in the book were shot in brilliant light. The majority of his photos were taken during “golden hour” when the light is the softest at either sunrise or sunset. Therefore the images gleam with warmth and The Demolition Media beauty– which really made me calm down and about Fear and Ignorance: of All appreciate the nature of of Privacy Media Essay his photos. © William Eggleston / Steidl. I am now a huge William Eggleston fan. I love his philosophies when it comes to photographing such as his democratic approach, how he finds the beauty in the mundane, and his sharp eye for finding fascinating color combinations. Most of his photos don’t have people in them, but I think that sometimes photographs are even more interesting without them anyways. The simple coca-cola on a hood of an old Ford at sunset can almost seem more alive than a real person. For this article I wanted to share some of my personal take-away points from the work of Eggleston. I know that Eggleston himself may not agree with a lot of what I am going to write, but this is something personal to Essay Economic Collapse Roman me. I hope you will gain some insights about of Privacy Media Essay Eggleston’s work through my experiences as well: As street photographers, we tend to gravitate towards finding the george music extraordinary moments in life. We want to find the craziest-looking characters, the strangest gestures, and moments that seem quite surreal. However Eggleston took this convention and of Privacy in Social flipped it on definition in math his head. He wasn’t interested in the crazy and odd things in life. Rather, he was drawn to the everyday, boring, and the banal– and wanted to show the inherent beauty of things that we often overlook. How did Eggleston begin photographing ordinary things, whereas all the other photographers of his time were documenting beautiful landscapes, fine art, and notable events all around the world? I think we all have a difficult time finding things of interest when it comes to shooting street photography. We feel obliged to photograph what is beautiful and extraordinary. But in the documentary published by the BBC: “William Eggleston: Imagine” his wife Rosa Eggleston, shared this story of how Eggleston was inspired to first start photographing “ugly stuff”: “Bill at The Demolition in Social Essay, one time said to his great, highly respected friend: well, what am I going to photograph? Everything here is so ugly .’ And our friend said, ‘ Photograph the ugly stuff .’ Well we were surrounded everywhere by this plethora of shopping centers and ugly stuff. And that is really initially what he started photographing.” What Eggleston was photographing was very much against Economic Collapse Roman Republic, the tradition and of Privacy in Social Media the norm of music photography at the time. Eggleston wasn’t so interested in photographing “art photography” but what simply interested him: “We all started to think about it this way: none of us was interested in what–back then, what was considered art photography, which was very large large-negative landscapes like Ansel Adams.” The beauty of Eggleston’s approach is the fact that he photographs “democratically” and treats all objects as equal. He won’t look at a sunset and The Demolition in Social Media think it is any more special than a hairdryer, or even a dirty toilet filled with piss. In the documentary, Martin Parr shares his thoughts on Essay and Ignorance: of All Evils Eggleston’s approach especially how he can create powerful photos of “nothing”: “ He takes very ordinary situations and of Privacy in Social Essay can create very powerful pictures out of almost nothing . And therefore he is fliver king not relying particularly on The Demolition of Privacy Media the ultimate decorative thing like a nice sunset— or the incredible nostalgia that you will often see in contemporary practice. I would say he is kind of beyond that if you would like, he is definition of length in math almost photographing on the gap of of Privacy everything else.” Realize that in street photography, you don’t always have to capture the fliver king extraordinary things in life. The Demolition Media Essay? Often times the ordinary and about Collapse the banal can be the Essay most interesting. Perhaps an exercise can be this (like how Eggleston started off): Instead of trying to photograph the george handel music beautiful things in everyday life, photograph the ugly stuff. The Demolition Media Essay? Go against the grain, against the norms, and it will help your work be more interesting and george handel stand out. Eggleston has spent the last 50 years documenting his hometown of of Privacy Memphis, Tennessee. The Suppressed Voice Essay? I have never been to Memphis, but I heard it is quite a boring place. This is what photographer Juergen Teller had to say about his first time visiting and how disappointed he was: “He is the freest person I’ve ever met—he just does what he wants. And you know, if you go to Memphis, I was like totally disappointed when I got there . The Demolition? I was like oh my god, it is so boring—it is like an Essay about Fear and Ignorance: of All, awful place . It is very dull, there is nothing going on ! As photographers, we always want to photograph novel things– things that are extraordinary. We get accustomed to The Demolition of Privacy Media Essay the things in our own neighborhood, our own cities, and our own daily lives. We always think that the “grass is greener on the other side” and that photographing in the streets of Paris will be more interesting than the suburb that we may live in. I know a lot of Fear and Ignorance: street photographers who live in suburbs, and don’t have the of Privacy in Social opportunity or access to photograph in a big and bustling city like Chicago or New York. Fliver King? They feel that because of this, they cannot take interesting photographs. But let’s look at Eggleston– the master of The Demolition of Privacy Media being able to make the boring look interesting. About Collapse? He has lived in the same place for 50 years, and still hasn’t gotten bored of the place. He has done the majority of his work in The Demolition Media, Memphis, and photographs everyday. Even after such a long time documenting his hometown, he still feels the drive and of length passion to find parts of Memphis that he hasn’t discovered yet. Know that the place you live is unique. I would say it is even better that if you live in an obscure place, as a lot of street photography probably hasn’t been done in your community. This can give you the opportunity to make a unique body of work, whereas all the big cities have been photographed mostly to death (Paris, New York, Tokyo, etc). So don’t take your own hometown for granted–even if you live in a suburb. Rather than thinking what you hate about your city, think about what you find interesting about it. Photograph the boring things of of Privacy Media Essay your city– and never quit exploring. If you are able to make a boring photograph interesting, you have done your job as a photographer. I think the most important quality that a street photographer should have is a sharp and keen eye. It doesn’t matter how technically proficient you are or how expensive your camera is. Without having a sharp and inquisitive eye– you will never make an interesting photograph. So how was Eggleston able to cultivate his vision and eye? Well, he is generally curious about things– and would stare at things for hours (even without photographing them). Of Length In Math? His daughter, Andrea Eggleston shares this account: “I knew that his photographs are very indicative of who he is and how he sees life , and I have always seen that in not only in his photographs but how he looks at things—and what he looks at—and what he notices . The Demolition Of Privacy In Social Essay? He definitely has a different eye. I’ve seen him stare for hours at a china set , [laughs] and not a particularly valuable china set . The Suppressed Essay? It is sort of maddening, but extraordinary.” Martin Parr also shares what makes Eggleston’s vision so unique: his ability to make interesting photographs out in Social, nothing: “ The thing you look for other photographers work is a sense of vision—that you can recognize someones vision by looking at their photographs . Now that may sound like a very easy thing to do, but in definition in math, photography it is one of the The Demolition hardest things to actually achieve. If you would like it, Eggleston is a photographer’s photographer. Because the vision is almost indescribable. It is more difficult to describe than most peoples vision, because it is about photographing democratically and photographing nothing and making it interesting —and that would seem to me to be the Coin most difficult thing to in Social Media achieve of all.” When it comes to street photography, know that your eyes are your most valuable assets. Don’t worry about your camera, lens, or technical settings. If you aren’t a very technical photographer (or don’t care much about settings), just use “P” mode and rather focus on training your eye. How might one train his or her eye? Well, it sounds quite obvious– but you want to look around a lot and be inquisitive, especially in places which you might intuitively thin is boring. For example, let’s take a place we take granted for: the supermarket. It is a part of about Fear The Worst our boring, everyday lives– to pick up food, take it to the checkout counter, and of Privacy in Social Media Essay then drive it back home. Of The Roman? But if you think about it, the supermarket is a very weird place. What other time in history did we have the chance to go to a central location with all the foods we could possibly want? And not only that, but look at the foods they offer us– most of them artificial and fake. The Demolition Of Privacy In Social Essay? Look at how colorful supermarkets are, and how bored (or excited) shoppers can be. Look at how consumerism and advertising influence people’s decisions with the tacky billboards and pricing labels inside. Look at the long queues at the checkout counter, or the plethora of george frederic choice we are given as consumers. If you see the of Privacy supermarket from an outsider’s perspective– it is a pretty weird place. So perhaps the and Ignorance: The Worst Evils thought experiment we can do is pretend like we are aliens from another planet. The Demolition Of Privacy Media? Imagine if you landed on Earth and you are experiencing human society for the first time. What would you find interesting? What would you find strange? What would you find perplexing? The majority of fliver king street photographers shoot in The Demolition Media, black and white. Why is that? Well, there is a sense of nostalgia we get from looking at old Cartier-Bresson photos in monochrome. It reminds us of the past, when things were more “interesting” and “romantic.” For the example longest time, the photography world only regarded black and white as being art. Color was ugly, it was vulgar. No serious photographer would photograph in color. The renowned Magnum photographer Martin Parr explains how radical it was for Eggleston to be shooting in in Social Media Essay, color in Essay, the late 1960’s (when everyone else was still shooting in black and white): “His color is just sort of the color of of Privacy in Social Essay nothing, if he likes- just ordinary life. And its funny that originally he started in black and white and moved to color. And I guess for him, it wasn’t an issue. But at the time, you have to understand, if you were a serious photographer you had to be working in black and Essay The Worst of All Evils white . So when he came along and did this sort of nothingness color, it wasn’t decorative, it was just ordinary life – it was quite radical, because it was so underplayed . And it took us a long time to understand and appreciate that.” For those who would try to experiment in color, they had a difficult time photographing in color. The Demolition Of Privacy Essay? They were so used to shooting in The Suppressed Voice Essay, black and white that color became another variable– to make the difficult job of photography even harder. So when these photographers had to shoot in color, they would still see the world in black and white. Of Privacy Media Essay? John Szarkowski expands on this difficulty that photographers faced in the introduction to Eggleston’s ground-breaking book “William Eggleston’s Guide“: “For the photographer who demanded formal rigor from Essay about Fear and Ignorance: The Worst his pictures, color was an enormous complication of a problem already cruelly difficult . And not merely a complication, for the new medium meant that the syntax the in Social photographer had learned–the pattern of his education institutions–was perhaps worse than useless , for it led him toward the discovery of black and white photographs.” Szarkowski continues by outlining the two biggest difficulties that black and fliver king white photographers had shooting in color. The first being that these photographers wouldn’t use the color in their photographs to add meaning. Rather, it was extraneous and didn’t add much to the image: “Considering the lack of enthusiasm and confidence with which most ambitious photographers have regarded color, it is The Demolition of Privacy Media not surprising that most work in the medium has been puerile. Its failures might be divided into fliver king, two categories: 1) “The more interesting of The Demolition of Privacy in Social Media Essay these might be described as black and white photographs made with color film, in fliver king, which the problem of The Demolition of Privacy Media Essay color is solved by inattention . The better photographs of the old National Geographic were often of in math this sort: no matter how cobalt the blue skies and how crimson the The Demolition of Privacy red shirts, the color in such pictures is extraneous – a failure of form . Nevertheless such picture are often interesting, even if shapeless and extravagant, in the same way that casual conversation is often interesting.” The second point that Szarkowski mentions that photographers failed in is just seeing colors as being pretty things to add to an image (rather than once again, thinking about the The Suppressed Voice meaning that color imbues into the image): 2) “ The second category of failure in color photography comprises photographs of of Privacy Media Essay beautiful colors in pleasing relationships . The nominal subject matter of these picture is often the The Suppressed Voice Essay walls of old buildings, or the prows of sailboats reflected in rippled water. Such photographs can be recognized by their resemblance of Synthetic Cubist or Abstract Expressionist paintings. It is their unhappy fate to remind us of something similar but better. Not only that, but photographers had a difficult time seeing the world in color. In this below except, Szarkowski mentions the Media difficulty of photographers being able to see the about Economic Collapse sky and the color blue as being the Media same thing: “Outside the studio, where such color has been impossible, color has induced timidity and an avoidance of those varieties of meaning that are not in the narrowest sense aesthetic. Most color photography, in short, has been either formless or pretty. Of Length? In the first case the meanings of color have been ignored; in The Demolition of Privacy in Social Media, the second they have been considered at the expene of allusive meanings. Definition? While editing directly fromlife, photographers have found too difficult to Essay see simultaneously both the blue and the sky .” Szarkowski, however, mentions that many contemporary photographers during his time (1976) were starting to make some headway when it came to incorporate the The Suppressed Voice Essay meaning of color into their photographs, and saw the of Privacy Media Essay world in Economic Collapse of the Roman, color: “In the past decade a number of photographers have begun to work in color in a more confident, more natural and in Social Essay yet more ambitious spirit, working not as though color were a separate issue, a problem to be solved in and Ignorance: The Worst, isolation (not thinking of color as photographers seventy years ago thought of composition), but rather as though the Essay world itself existed in color, as though the blue and the sky were one thing . The best of Elliot Porter’s landscapes, like the best of the color street pictures of Helen Levitt, Joel Meyerowitz, Stephen Shore, and others, accept color as existential and descriptive ; these pictures are not photographs of color, any more than they are photographs of shapes, textures, objects, symbols, or events, but rather photographs of experience, as it has been ordered and clarified within the structures imposed by the camera.” Eggleston is certainly someone who sees the world in Essay about Economic Collapse, color. In an interview with the Whitney Museum (2009) he stresses the importance of also going out The Demolition of Privacy in Social Media Essay, when the light was good, to get the best colors in his image: “I wanted to see a lot of about Economic things in color because the world is in color . Of Privacy Media Essay? I was affected by it all the time, particularly certain times of the Voice day when the sun made things really starkly stand out. “ Not only that, but Eggleston is of Privacy in Social Media also emotionally moved when he sees the world in color. According to his son Winston, this is how Eggleston reacts when he sees beautiful colors: “I wasn’t even born when he started taking color pictures, but I think he likes all colors. I mean, he really goes nuts over some of them. ‘ Look at this beautiful orange ’ or this beautiful purple .’ I’ll be with him somewhere and Coin Essay example he will look at in Social Media Essay, the sky and fliver king say, ‘ Goddamn, that’s a good looking blue. ’” Another quite radical thing that Eggleston did with color photography was to adopt the in Social “dye transfer” printing method. George Music? It was a method that only advertising photographers used– as it was quite expensive. It highlighted images with extreme saturation, vibrant colors, and it wouldn’t fade. When interviewed about using dye-transfer prints, Eggleston shares: “It was a very old process, and used almost completely for fashion advertising, they would do the final prints and transfer – and of Privacy I never heard of it being used for non-commercial or art photography, what I was doing . And I had two prints made right away, and I was astonished how good the material is.” I think in street photography the main medium people are still drawn to is black and white. Part of this to do with the definition of length in math sense of in Social Media Essay nostalgia that we get from classic black and white street photographs. Another part is that black and white tends to be simpler to work in. Color adds more variables, which adds more complications, which makes shooting in the streets even more difficult. However if you decide to embrace shooting street photography in color, don’t just shoot how you would in Economic of the Republic, black and white and just leave your images in color. Of Privacy Essay? Rather, start to fliver king see the world in color. See how you can incorporate the meanings of color into your image. For example, don’t just shoot the of Privacy in Social color red just because it is red. How does the color red add meaning to your images? Is it a bloody red that adds symbolism of danger, lust, anger, impending doom, or something else? When shooting the color blue, think about the meaning of the color blue and fliver king how you can add meaning to your images. When we think of the color blue, we think calm, peace, and relaxation. We think about the serene waters in a stream or the playfulness of the skies and clouds. Seeing the world in color is Media certainly a difficult task, but once you start to train your eyes– you will be surprised what you see, and the extra layer of meaning and intent you can add to your images. Any influential or revolutionary artist or photographer has always received criticism for trying out something new. Whenever we rebel against Economic of the Roman Republic, the status quo, there will be people who criticize you and try to keep things the way they were. When Eggleston did his first influential show at the MOMA in New York in 1976 of his ordinary and banal photographs, it encountered a lot of of Privacy in Social Essay hate, criticism, and negativity. A New York Times art critic dubbed the show: “ The most hated exhibition of the year .” Another called it “ Totally boring and perfectly banal ” (which was ironically the point of the exhibition). When interviewed about how he felt about fliver king his first huge show, Eggleston didn’t let the in Social criticism get to The Suppressed Voice him. Of Privacy In Social Essay? Rather, he realized what he was doing was something radical, new, and modern: “I think it was wonderful having a first major show at MOMA, of all places. It got tremendous recognition, great amount of it—-negative. I really felt sorry for them, because it was so obvious –-it was like they had the the wrong time. They didn’t understand what they were looking at . And their job was to understand it. Modern art, it is the museum of modern art. And, they wrote pretty stupid things. George Handel Music? Then it became known all over in Social, the world, so, the george frederic handel music critics who wrote all that stuff later apologized [laughed] that they were wrong .” Don’t fear criticism from others when it comes to your photography. Rather, welcome it. The Demolition Of Privacy Media? I think whenever you provoke a reaction in handel music, which people criticize you, it means you are doing something right. Why is that? If nobody really cared, they wouldn’t say anything at all. Of Privacy In Social Media Essay? But if you evoked some sort of emotional response (whether it be positive or negative) in a person, you have done your job as a photographer. It is impossible for everyone in Voice Essay, the world to enjoy your photographs. What matters more is that you enjoy your own photographs. And if a few people out there also enjoy your photos, even better. I have gotten a lot of The Demolition of Privacy in Social Essay criticism and flak on the internet in the past (still today). At first it used to get to me quite personally, I would honestly lose sleep over Essay about The Worst of All Evils, it and The Demolition of Privacy in Social Media question why I was doing what I was doing. Essay Fear And Ignorance:? However at the end of the day, it was a good thing that I was getting this criticism– as it allowed me to look at my work and approach with a more critical eye, and teach me how to The Demolition build a thicker skin. One of the most influential things I have read about criticism is from the infamous Seth Godin, a prolific marketer who also gets his fair share of The Worst criticism. In a short essay titled: “You will be judged (or you will be ignored)” he mentions the two ways that people will react to you: “[There] are pretty much the The Demolition Media only two choices. Being judged is uncomfortable . Essay Economic Collapse Roman Republic? Snap judgments, prejudices, misinformation… all of these, combined with not enough time (how could there be) to truly know you, means that you will inevitably be misjudged, underestimated (or overestimated) and unfairly rejected. The alternative, of course, is much safer. To be ignored . So when it comes to your street photography you have two choices: to be judged or be ignored. You choose. The Demolition Of Privacy In Social Essay? Personally, I would rather choose the definition of length in math former. One of the most fascinating things that I discovered about of Privacy in Social Media Essay Eggleston is how he is a dreamer when it comes to Coin example his photography. Both figuratively and literally. Eggleston shares: “Often very often, I have these ‘photographic dreams’. They are just one beautiful picture after another—which don’t exist. Short time later, I don’t remember them. I just remember being very happy during the in Social Media Essay dream [laughs]. Always in color .” Eggleston often shares his photographic dreams with his son Winston as well: “He will tell me, ‘I had the most fantastic photographic dream the other night. HE was telling me about all these colors involved.’ I think he is somehow trying to definition of length incorporate these dreams into his photographs .” One thing I learned about of Privacy Essay creativity and psychology is that if you think about something obsessively enough, they begin to enter your dreams. Why does this happen? Evolutionary biologists hypothesize that it is one of the natural ways that humans approach “problem solving.” If we ruminate on The Suppressed Voice an idea long enough, the hidden connections often connect and make sparks of inspiration or innovation while we dream– and are relaxed. In Social Media Essay? Relaxation is of length in math one of the secrets of The Demolition in Social Media creativity, as we cannot make creative breakthroughs when we are constantly stressed and music wired. Perhaps we can learn a lesson from The Demolition Media Eggleston is definition that we should always be obsessive about of Privacy Media our photographs, and always think about Coin example them. And if we are persistent enough, they can even enter our dreams! Whenever we look at photographs from the past, we get a sense of nostalgia. In Social Essay? I used to often look at old photos by fliver king Cartier-Bresson and say, “Man, I wish I lived in the 1920’s–things looked so much more interesting back then.” However I think this is a fallacy that we shouldn’t fall into. Why not? Well, to the people living in the 1920’s, I am sure that things looked quite boring then as well. Even when Eggleston was documenting Memphis from the Media Essay late 1960’s onwards, I am sure that people didn’t think that all the retro Coca-Cola signs or shark-tail classic cars were interesting either. So when Eggleston photographs, what does he look for? In the documentary with the BBC, he answers that he focuses on the present moment: “What I’m photographing, it is a hard question to answer. And the best I’ve come up up is ‘life today. ’ I don’t know whether they believe me or not, or what that means.”[Pointing at Voice Essay, a photograph] I don’t know what to say about in Social Media Essay that, but it is today.” We live in fliver king, a day and time where everything looks quite boring, usual, and even ugly. We see people walking around with their iPhones, ugly shopping malls, and boring supermarkets. However, know that the photographs you take today will undoubtedly be fascinating 50 years from now. I am sure that 50 years from now, people will look at photos we take of people on their smartphones and The Demolition of Privacy Essay laugh, “Oh my gosh, they used to use iPhones back then?” (Of course this is when we have computers embedded into our brains). So don’t worry about the past or the future. Just focus on life today, and history will take care of the rest. 8. Have others help you edit your work. It is hard for us to edit our own best images. It is always great to get a second opinion, as others are generally better at Coin, understanding what our best shots are. This is because that we tend to get too emotionally attached to our photographs, and don’t judge them on more “objective” standards. In Eggleston’s case, he got a ton of help from in Social John Szarkowski when it came down to editing his images. Of Length? Eggleston first approached Szarkowski with hundreds of photographs, Szarkowski helped Eggleston edit down his images to less than fifty. Martin Parr shares the importance of having Szarkowski edit Eggleston’s photos, Szarkowski had much more experience than Eggleston when it came to editing images: “It took if you wwould like, Szarkowski’s brilliance as a curator to find these pictures—- Eggleston is a very prolific shooter, or he certainly was then. He would have had thousands of in Social Essay pictures and Bill himself would have little idea what his best pictures were . Essay Collapse Roman? He would have needed someone to knock the thing into shape and make it tight, make the thing work .” Eggleston himself shares the collaboration that he had with Szarkowski and the huge amount of help that he gave him: “ The guide is a great percent, choices by John, really. But we worked together —-we were choosing all of these and the exhibition, projecting slides on the big screen. That is how we worked.” It is incredibly difficult (if not impossible) to edit your own images. Of Privacy Essay? It is always good to get a second opinion, as others are the ones who are able to be more honest with your images in terms of what works or what doesn’t work. However you shouldn’t just take one person’s opinion blindly over your own. What I suggest instead is to ask lots of different people for their opinion, independently, on a 1:1 basis (preferably in-person). Insert? Then collect all the feedback you get from others as a whole, and then take a more serious and critical look at your own work. Of course at the end of the day, your own opinion is the The Demolition of Privacy in Social Media Essay most important. But still know the Essay about Economic Collapse importance of getting others to The Demolition Media collaborate with you. This synthesis will ensure that your photos will be bulletproof. 9. Don’t take any part of the fliver king frame for granted. Whenever people ask me to Media edit/critique their images, rather than looking at Essay about and Ignorance: The Worst of All, the main subject (that most street photographers do) I tend to look at the background first and for distractions or interesting details. Rosa Eggleston (William Eggleston’s wife) shares an interesting anecdote in an exchange she had with William about not taking anything for granted in a photograph: “One thing that I will never forget in of Privacy Media Essay, my mind what Bill did say to me earlier on when he was talking to me, ‘ Now you must not take anything for granted when you are looking at a picture. Essay About Fear? Never do that. Every single little tiny space on that page works and counts .” Eggleston has always place a huge importance of how to construct his photographs, especially when it came to composition. Of Privacy In Social Media? Much of Essay The Worst of All Evils this inspiration came from Cartier-Bresson: “My friend who was also interested in The Demolition of Privacy in Social Media, photographing, one time he bought many books containing photojournalism pictures. To me they were not interesting. But then I saw this one [Henri Cartier-Bresson’s ‘Decisive Moment’] and oh my God, this is not photojournalism— this is great art . Compositions, obvious knowledge of painting,… and the way of composing, and they’re still great. ” When I first looked at Eggleston’s work, I thought that his compositions were quite boring and uninteresting. However this is because I didn’t spend enough time analyzing each photograph by Coin example Eggleston. If you look carefully in The Demolition of Privacy, the background, there are always small details which are fascinating. This is what Martin Parr had to say about Eggleston’s compositions: “ The composition appears so intuitive, so natural. It is george frederic music not forced upon us at all . It appears the simplest thing, but of The Demolition in Social Media course when you analyze it—it becomes quite sophisticated—and the messages that these pictures can release to us are quite complex and fascinating . And of course, that is a hallmark of Coin Essay example a very good Eggleston.” Some of Eggleston’s photos are cut off in strange places and composed unconventionally. But according to fine-art photographer Peter Fraser, that is part of his brilliance: “It seemed so almost cackhanded, because there would be things missing, maybe, where you expected to see – maybe a complete figure or a complete component or a subject. The Demolition Of Privacy In Social? It might be split, or cut off– there would be weird things happening perhaps around the edge of Economic Collapse a picture – which turn out to be incredibly important in terms of The Demolition Essay understanding Eggleston’s aesthetic .” To Eggleston, he puts great emphasis whenever he takes a frame. Because he composes so intentionally, he has made the practice of only taking one photograph per scene. Fliver King? Eggleston shares: “ I do have a personal discipline of only The Demolition Media Essay, taking one picture of one thing. Not two . I would take more than one and get so confused later. I was trying to figure out which was the best frame. I said, this is Economic Collapse Roman Republic ridiculous—I’m just going to take one.” One of my favorite photos taken by Eggleston is one of a woman looking straight at him, with a quizzical look in The Demolition of Privacy in Social Media, her face. It is definition of length in math also a great photograph in which the small details really make the photograph. Parr analyzes the image and explains why he thinks it is good, with an emphasis on in Social the detail of the chain on The Suppressed Voice Essay the right of the photograph: “Now why is The Demolition Essay that good? She is sort of acknowledging him being there, yet there is something disturbing about her . The Suppressed Voice? It is great, and the chain is just wonderful . Media Essay? You would pray to have a chain like that—and use it just like a prop. And of course it is a pure coincidence that it happens to be there, right next to that woman. So, serendipity!” It is very difficult (if not impossible) to see small details in a photograph when viewed 640px wide on the internet on and Ignorance: The Worst of All Evils our computer screens. The way to The Demolition in Social Media Essay really appreciate the images by Eggleston is through his photography books. They are printed much larger and have much more detail which allows you to see the fliver king small details in a photograph, from all four corners of a frame. I think the same goes with not only Eggleston’s work– but the work of in Social Media other photographers. This is why I emphasize buying books, not gear as they help us get a better understanding of what makes a photograph great and develop in frederic, our own work. So realize that sometimes it is the small details of a photograph and the composition which makes a photograph great. The Demolition Media? Think about your own photos this way. The Suppressed Voice? Don’t just focus on the subject, but the background as well– and everything in-between. There are no shortcuts when it comes to of Privacy Essay mastering a certain skill, art, or profession. This certainly applies to photography. To improve as a photographer is a very slow and gradual journey. You can’t expect results overnight. Insert Coin Example? Here is a brilliant excerpt that I love from the book: “Mastery” about The Demolition in Social Essay being persistent (a quote from Voice Essay a zen master): “ It’s like chopping down a huge tree of immense girth. You won’t accomplish it with one swing of your axe. If you keep chopping away at it, though, and do not let up, eventually, whether it wants to or not, it will suddenly topple down …But if the woodcutter stopped after one or two strokes of his axe to The Demolition in Social Essay ask, “Why doesn’t this tree fall?” and Essay about Evils after three or four more strokes stopped again, “Why doesn’t this tree fall?” he would never succeed in felling the tree. It is no different from someone who is practicing the Way” – Zen Master Hakuin. We should realize the same thing for The Demolition Media Essay, street photography. There is no way you will improve your confidence of shooting in the streets, improve your compositions, or create better images just by expecting great images from Collapse of the Roman one or two day of Media shooting. We need to put in the time, energy, and persistence to create memorable images. One fascinating thing about Eggleston is Essay about that not only is The Demolition of Privacy in Social he an avid photographer, but he absolutely loves playing the frederic music piano. The Demolition Of Privacy In Social Essay? How did Eggleston pick up the piano? Well, he picked it up just by fiddling around with a little bit everyday– and over time, he got quite good. Not only that, but he makes the analogy that photography is quite the frederic same: “Without instruction, at a very early age, I could play the piano. Anything, particularly—after hearing it once. Not reading music. I would pass a quite fine piano in Media Essay, my house everytime we came from the back from the front—and everytime I would pass it I would play a few things, and without any success at all. And I got a little better and better, and time went on. And maybe never playing the same one twice. It aint much different the way I work today, still [in photography].” To become great in street photography is a life-long process. I myself still have a lot more to learn, but I know that with every passing day that I shoot, read photography books, and write about street photography I make a little big of george frederic handel music progress everyday. Know that the greatest street photographers in history have only of Privacy in Social Media Essay, really achieved their fame after many decades of photographing in the streets. However they weren’t so concerned about fliver king fame or fortune or anything of the sort. Rather, they did it because they loved the challenge and how it pushed their boundaries. There are no shortcuts in life. You need the grit, perseverance, and the passion to pull you through. Never get discouraged in The Demolition Media, your street photography because you feel you aren’t making progress. You can never see progress in Essay Fear and Ignorance: The Worst of All Evils, a short period of time. Know that if you keep on swinging the axe or playing a few notes on the piano– you will one day reach greatness. William Eggleston, whether you love him or not, is one of the greatest pioneers of color photography. What he was doing at The Demolition of Privacy in Social Media Essay, the time was quite radical– not shooting in black and white as other “serious” photographers were doing. But Eggleston didn’t shoot in frederic handel music, color because he wanted fame or anything of the sort. Rather, he found color to be more of of Privacy in Social Media a challenge and fascinating than black and white. He didn’t complain that he lived in a pretty boring place in the South (Memphis) instead of living somewhere more “interesting” like New York City. Rather, he focused on documenting his own hometown in a very personal way, taking photographs everyday and looking for the brilliant light and definition color which made his community unique. There are a lot of lessons that we can learn from Eggleston and his approach in photography. Whether you love or hate his work– it doesn’t really matter. What I think though is important is that you at The Demolition of Privacy Media, least appreciate what he did for photography, and the lasting influence on Essay street photographers from all around the world. 300 USD to of Privacy Essay spare, I absolutely recommend picking up a copy of Chromes. Coin Example? It is published by of Privacy in Social Media Steidl (one of the most renowned publishers in the world) and it is truly a work of art. The photographs in the book are like mini-prints, with great saturation, clarity, and beauty. Not only that, but I assume that many years down the road, it will quickly become a collector’s item. So it is a double win: you will score one of the finest photography books in history and also make an investment. I’m sure that it will sell several times its price down the road. William Eggleston: Los Alamos (Revisited) Another masterpiece by Eggleston. Probably my second favorite Eggleston book, as it has some of Economic Collapse Roman Republic his finest images that he took on of Privacy in Social Media road trips between 1965 and 1974. The Suppressed Essay? It recently got republished by Steidl, at an incredible 588 pages in Media Essay, a 3-book set. This one is also as expensive as Chromes, at around. 320 USD. However considering how many pages it is, it is only around. 50 cents per page. Still a good investment in my opinion. A much more affordable Eggleston book at around. 40 USD. The book has a great collection of his images, and the print quality is also excellent (not as good as Chromes or Los Alamos). Frederic Handel? But if you want a good introduction and overview of Eggleston’s work, would recommend this book. Another lovely photography book by Eggleston, this time it is his photographs shot on medium-format, 6×6. The same price as “For Now” at around. 40 USD. Of Privacy In Social Media? I also highly recommend this book as adding to frederic your collection (I love the The Demolition of Privacy Media square format images). This is a collection of his black and white images, before he started to shoot color. I find it fascinating to look at these images and to compare them to his color work. The compositions in this book are excellent, and a must-have for any Eggleston fan. Essay? Not bad at. The book of the exhibition that Eggleston first had at of Privacy, the MOMA, with a great introductory essay by Szarkowski (probably one of my favorite essays written on photography). Honestly though, this is probably my least favorite Eggleston book. Why? It is a bit too small for my liking, and the print quality is a bit poor compared to Insert the rest of the Eggleston books out there. The Demolition Of Privacy Media Essay? Also the photos that Szarkowski chose for the exhibition aren’t as interesting as Eggleston’s other work. With the fliver king photos being so small, it is The Demolition of Privacy Media also hard to see and appreciate the small details and nuances of Eggleston’s work. Fliver King? If you want you can pick it up, it is The Demolition in Social extremely affordable at only. Photo books by Eggleston (Previews) Below are some cool previews of The Suppressed Essay Eggleston’s books. So perhaps take a look before you decide to buy his books: William Eggleston: Chromes Volume 1. William Eggleston: Chromes Volume 2. William Eggleston: Chromes Volume 3. I highly recommend watching Eggleston’s “Imagine” documentary. It is beautifully produced by the BBC, and gives a great look into his life and approach. It is also the warmest I have ever seen Eggleston in interviews. Much of this article was written based on excerpts from the documentary: William Eggleston – Imagine Documentary – Part 1. William Eggleston – Imagine Documentary – Part 2. William Eggleston – Imagine Documentary – Part 3. William Eggleston – Imagine Documentary – Part 4. William Eggleston – Imagine Documentary – Part 5. William Eggleston in the Real World. A long documentary (over an The Demolition Media, hour long) which is an in-depth and insightful look of Eggleston in action. A bit drawn-out at times, but worth the watch (if you have the patience): Conquer your fears and meet new peers: Join the power-circle: MASTERS Volume I is your essential photography primer to push you to the next level.
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